Entries in Quinn Jacobson (33)

Thursday
Apr152010

“In Honour of Archer” Just Another Exhibition? I Think Not!

 

Next month, on May 1, the exhibition, “In Honour of Archer” will open in London. There will be close to thirty Frederick Scott Archer, 1813 - 1857pieces of artwork in the show. All of the work is Collodion or Collodion-based from artists all over the world working in the Collodion process. I can’t over emphasize the importance of this exhibit and event. Not only for today, moreover, for posterity.

Every once in a while, there’s an opportunity to contribute and be involved in something that will be far more important in the future than it is today. The problem is being able to recognize those opportunities and then having the chutzpah to make the sacrifices to get “some skin in the game”.

In Honour of Archer”, is one of those opportunities that I can say with great confidence, will take its place in history. It’s bigger than all of us. It’s its own thing, like a mountain so high that it generates its own weather system. It has its own energy, we’re just trying to keep up.

The work presented in the show will have a certain gravitas, too. A provenance, if you will. In this case, the context of the work is much greater than the work itself. I don’t mean that in the pejorative, I really like the work that has been submitted, I mean that in the way that this isn’t “just another exhibition”. I mean that the photographs in this exhibition are forever connected to this event. It’s the connection that gives this purpose – that’s what makes this so important. I wonder if people get that.

A hundred years from now, no one will know or care what you or I did today. We may see what we’re doing in our daily lives as important, but no one will remember. No one will care. John Popper, from the Blues Traveler band, has a great lyric in a song called, “100 Years”. It sums up the ephemeral nature of our day-to-day existence. He says,

Big angry man in the doorway there
Just keep on walking like I don't care
Why you giving such an evil eye
Could it be you were ignored by every passerby
And it won't mean a thing in a hundred years
No, it won't mean a thing in a hundred years

Our death denial illusions are exposed and open for God and the world to see them when we talk about our achievements for future generations. However, in my opinion, this event transcends those illusions. This is one of those things that we all know is the right thing to do. So why has it taken 157 years?

I feel neither allegiance nor indebtedness to anyone except Archer when it comes to the Wet Plate Collodion process. Without Archer, and some others in the 19th Century, Collodion would have been a shelved process, at least as far as we know it today. He’s never received the recognition or the proper acknowledgments from his country, the big photography museums or the academic establishments. They should be embarrassed and ashamed. I'm glad, however, that we, the Collodion Collective, were able to come together and make his commemoration what it should be.

Unfortunately, as Parker and Stone said, "Sometimes what's right isn't as important as what's profitable." In that context, this is not, “just another exhibition”.

Thank you to everyone that participated in any way – you’ve done a great thing!

Tuesday
Jan192010

Spanish Magazine Features My Work

If there's one constant in life and art, it's change. And I'm learning to embrace it.

After some serious soul searching, I've come to the conclusion that my work falls under one main idea - one thought - “the other”. I can't distinguish any longer between a portrait of a mentally challenged trash man in Utah or an image of a smokestack next to a (former) concentration camp in Germany. The theme and ideas are the same to me now.

To my mind, my work is about difference (I often refer to this as, "the other") and memory. It's an investigation about how we see each other and what that means in our daily lives. The memory is both personal and universal - do we learn anything from the past, or is it something we ignore and/or deny? I want my work to question self-consciousness, too. I request that the viewer think about themselves from the inside out, not outside in - a unexamined life...

I heard a comment about the words, "equal" and "the same", last night on the radio. It was Martin Luther King, Jr. Day, so it was a good time to reflect on equality, difference, and sameness.

I came to realize that I don't want everyone to be the same, but I want equality. In a perfect world, we would all be equal (rights, respect, etc.) and we would embrace one another's differences. That's in a perfect world. I suppose that's what I try to do. In a circuitous way, I try to celebrate the differences between us. I enjoy a unique face as much, or more, than a "beautiful" face, etc. etc.

I am infinitely infatuated with difference (in a good way). I think I equate difference/uniqueness with awareness somehow. I don't mean that in the sense of trends or fads, but in the sense of being who you are, fully aware of that (internally) and letting the world deal with it - not the other way around.Excerpt from 1:1's website - "War Damage".

That brings me to the intent of my blog; a Spanish online magazine called, "1:1Foto Magazine" out of Madrid has featured some of my work in this issue. You can see it here or click on the image to go to the site. They are a great group of people and actually understand what I'm doing and have done. Muchas gracias!

I'm very happy to be making work, thinking, dreaming and living more as an artist now. I will continue to work toward being more self-aware and not being disconcerted about being who I am. And I'll continue to make work in that context with the hope of teaching myself, and others, tolerance.

Thomas Huxley said, "Try to learn something about everything and everything about something."

 

Wednesday
Jan132010

The Frederick Scott Archer Project

The Wet Plate Collodion Day Book 2009 I’m pleased to share this link with you; it’s the CiM (Creative Image Maker Magazine) Winter 2010 (print edition). I wrote an article for this issue. It’s about the Frederick Scott Archer Project

I hope you buy the magazine, read the article (and look at the Wet Plate Collodion photographs), and then buy the Wet Plate Day Book and feel so moved that you make a cash donation to the project (wink, wink) - I’m just saying, "I hope".

Seriously, I do hope people get on board with this project. I’m just a few c-notes shy of making the bank transfer to London. If you can, please donate (sales@studioQ.com), or support the effort by buying a book.

This is a great cause and I know we can make our goal and make this happen. It’s been a lot of work and a lot of sacrifice to get this far. I know times are tough, and money’s scarce, but if you, please help.

As the time gets closer, I’ll post more information about the ceremony and the events.  The Collodion Community thanks you for your support!

Wednesday
Jan062010

You Look Like Demis Roussos!

Happy 2010!

How do you start off the new year, let alone, a new decade on your blog? I wanted to start with something that was non-photography/non-Collodion related. There will be plenty of that coming this year.

Every where I go in Europe, especially in Holland and Germany, I get comments about looking like a famous European singer, Demis Roussos.

It happened at a Döner last night. A young Romanian guy asked me, "Where you from?" in that great eastern accent. He was real curious about where my birthplace was. I think he was convinced that I was Greek and related to Demis.

So, next time when this happens (and there will be a next time, believe me), I'm going to get some milage from it - Demis Roussos now has a son - me. Here's how it goes: "Well, Demis is my father. No, it's great to meet you! Oh, a free Yufka Döner? Why, thank you. I'll tell my father you said hello."

Demis Roussos

 

Sunday
Dec272009

Gold Toned Waxed Salt Print From a Wet Collodion Negative

10" x 8" Gold Toned/Waxed Salt Print from a Wet Plate Collodion Negative
Because of the finish on the print, this didn't photograph very well (too much contrast). But you can get the idea. I "cooked" the print a little too long, too. I usually have a problem with not exposing long enough (printing out), but these print out pretty fast and I'm using my BLBs.

This was made with artificial light - 2 minutes 45 second exposure and I used an iodine/pyro re-development on the negative.