Entries in travel (10)

Thursday
Apr152010

“In Honour of Archer” Just Another Exhibition? I Think Not!

 

Next month, on May 1, the exhibition, “In Honour of Archer” will open in London. There will be close to thirty Frederick Scott Archer, 1813 - 1857pieces of artwork in the show. All of the work is Collodion or Collodion-based from artists all over the world working in the Collodion process. I can’t over emphasize the importance of this exhibit and event. Not only for today, moreover, for posterity.

Every once in a while, there’s an opportunity to contribute and be involved in something that will be far more important in the future than it is today. The problem is being able to recognize those opportunities and then having the chutzpah to make the sacrifices to get “some skin in the game”.

In Honour of Archer”, is one of those opportunities that I can say with great confidence, will take its place in history. It’s bigger than all of us. It’s its own thing, like a mountain so high that it generates its own weather system. It has its own energy, we’re just trying to keep up.

The work presented in the show will have a certain gravitas, too. A provenance, if you will. In this case, the context of the work is much greater than the work itself. I don’t mean that in the pejorative, I really like the work that has been submitted, I mean that in the way that this isn’t “just another exhibition”. I mean that the photographs in this exhibition are forever connected to this event. It’s the connection that gives this purpose – that’s what makes this so important. I wonder if people get that.

A hundred years from now, no one will know or care what you or I did today. We may see what we’re doing in our daily lives as important, but no one will remember. No one will care. John Popper, from the Blues Traveler band, has a great lyric in a song called, “100 Years”. It sums up the ephemeral nature of our day-to-day existence. He says,

Big angry man in the doorway there
Just keep on walking like I don't care
Why you giving such an evil eye
Could it be you were ignored by every passerby
And it won't mean a thing in a hundred years
No, it won't mean a thing in a hundred years

Our death denial illusions are exposed and open for God and the world to see them when we talk about our achievements for future generations. However, in my opinion, this event transcends those illusions. This is one of those things that we all know is the right thing to do. So why has it taken 157 years?

I feel neither allegiance nor indebtedness to anyone except Archer when it comes to the Wet Plate Collodion process. Without Archer, and some others in the 19th Century, Collodion would have been a shelved process, at least as far as we know it today. He’s never received the recognition or the proper acknowledgments from his country, the big photography museums or the academic establishments. They should be embarrassed and ashamed. I'm glad, however, that we, the Collodion Collective, were able to come together and make his commemoration what it should be.

Unfortunately, as Parker and Stone said, "Sometimes what's right isn't as important as what's profitable." In that context, this is not, “just another exhibition”.

Thank you to everyone that participated in any way – you’ve done a great thing!

Tuesday
Dec082009

My Paris Show Part One: Preparing

This isn't the first time you've heard me talk about (or read me write about) my show in Paris. And I can assure you, it won't be the last.

I'm excited beyond words. I'm completely focused on making this the best it possibly can be. So, if I seem aloof, slow to respond or appear to be dropped-out, you know what I'm doing and where my head is!

The Centre-Iris Gallery has started to publicize the events. There will be a few highlights; first, the exhibition (of course!). I will be showing both of my projects; work that I made in the United States and my current European project. I'll have about 50 images from the project, "Portraits from Madison Avenue". I will also have several pieces, I'm not exactly sure how many,  of my new project, "Vergangenheitsbewältigung" (loose translation: "struggling to come to terms with the past"). I'm still working on this project, but I hope to have quite a few pieces in this show.

The content and Collodion variants will span the gamut. There will be portraits, landscapes, still lifes, etc. There will be Black Glass Ambrotypes, Clear Glass Ambrotypes, Albumen prints, Salt Prints, Alumitypes, and Ferrotypes (Tintypes). I'm going to offer sell the work, too. This is a big deal for me and it's very important that I do this right!

Quinn making Pierre's portraits in Paris - June 2009
Secondly, I will be doing a public demonstration (performative lecture) the afternoon of the opening (March 9). I'll also be teaching two workshops during the week. If you're in, or near Paris, drop Centre-Iris Gallery an email and have them hold a spot for you!

And last, but not least, the gallery has asked me to do a "Portrait Day". This will be on March 10. People can come by the gallery and I will make a portrait for them (for a fee, of course). It was a hit in Paris last June. I would expect the same here, maybe even more people Oy! We'll see.

This is a gigantic logistical challenge. I'm going to rent a Volkswagon Van. I need to pack all of my artwork (huge space and very delicate items), Collodion equipment (dark-box, camera, lenses), chemistry and substrate, and luggage. And then we have to fit in it, too! I'm hoping this works! It's a four and a half hour drive to Paris. Have you ever driven in the city of Paris? Oy!

There will be more to follow... I promise.

Sunday
Sep272009

Greenwich Village (West) New York City

New York always fascinates me. The energy, the crowds; I have a "love-hate" relationship with it (mostly love). Every time I visit, I ask myself if I could live here. A lot of me says, “yes” and the rest rest of me says, “Not a chance.”

New York is "on” all of the time. It’s like an exasperating friend – the energy is palpable and exhausting. We were out until 3AM last night (Rocky Horror Picture Show). Coming back to the apartment on the train/subway, you could see the city that never sleeps in all of its glory. Do you want a Falafel at 3AM? A beer? A glass of wine? A movie? Do you want to see people dancing on the train? Playing music? What ever you want, you can get here at any time.

We’ve been hanging out with David, Caron and Issac the last few days here. It’s been a lot of fun. We’ve seen a lot; Sally Mann show, WTC chaos, Times Square, Katz’s Deli, etc. etc. My favorite has been this little neighborhood in the West Village. We have an apartment here and the flavor of the place is very nice. There’s this coffee house called “Jack’s Coffee” just 50 meters from our apartment – I love it. These are the things that interest me the most.

Jean and Quinn in Jack’s Coffee drinking Honey Macchiatos.  
Shade grown puppies!  

Jack's Coffee Shop

Honey Machiatto

Quinn and Caron - “Sally Mann, Sally Mann!”! 
 

Tuesday
Sep082009

Göteborg, Sweden Wet Plate Collodion Workshop

Thanks to everyone that attended the workshop: Aron, Manuel and Sara, Bosse and Alfia, and Anna and Markus. And a big thank you to Henning (www.timeunit.se). His kind heart and wonderful space made it all happen - he organized and provided space and shared his expertise on the process with the students.

I'll post more photos and tell you a story about these images later. I'm really tired and need to rest for a couple of days!

"Nordic Man" - 8.5" x 6.5" (Whole Plate) Black Glass Ambrotype September 6, 2009 Gotheburg, Sweden 
"Roger - From the Streets of Göteborg, Sweden" 4" x 5" Alumitype September 6, 2009

Friday
Sep042009

Göteborg, Sweden

Sweden is beautiful, laid back and the people are very friendly. It’s the land of the Goths – it seems progressive and liberal. Being next to the sea is a great feeling, too. We set up the studio today and are ready for a really great weekend of Wet Plate Collodion!

Quinn showing off 100 Kronor on the top of the ship this morning (4 September) floating into Göteborg, Sweden (he looks a little bit Goth, yes?). We sailed by Denmark in the night and arrived in Sweden at 9AM this morning. A 13 1/2 hour journey – a big beautiful ship and a wonderful night feeling the sea below us. 
Saling into to Göteborg and the sun coming through at about 0800 this morning.