Entries in Europe (151)

Tuesday
Dec082009

My Paris Show Part One: Preparing

This isn't the first time you've heard me talk about (or read me write about) my show in Paris. And I can assure you, it won't be the last.

I'm excited beyond words. I'm completely focused on making this the best it possibly can be. So, if I seem aloof, slow to respond or appear to be dropped-out, you know what I'm doing and where my head is!

The Centre-Iris Gallery has started to publicize the events. There will be a few highlights; first, the exhibition (of course!). I will be showing both of my projects; work that I made in the United States and my current European project. I'll have about 50 images from the project, "Portraits from Madison Avenue". I will also have several pieces, I'm not exactly sure how many,  of my new project, "Vergangenheitsbewältigung" (loose translation: "struggling to come to terms with the past"). I'm still working on this project, but I hope to have quite a few pieces in this show.

The content and Collodion variants will span the gamut. There will be portraits, landscapes, still lifes, etc. There will be Black Glass Ambrotypes, Clear Glass Ambrotypes, Albumen prints, Salt Prints, Alumitypes, and Ferrotypes (Tintypes). I'm going to offer sell the work, too. This is a big deal for me and it's very important that I do this right!

Quinn making Pierre's portraits in Paris - June 2009
Secondly, I will be doing a public demonstration (performative lecture) the afternoon of the opening (March 9). I'll also be teaching two workshops during the week. If you're in, or near Paris, drop Centre-Iris Gallery an email and have them hold a spot for you!

And last, but not least, the gallery has asked me to do a "Portrait Day". This will be on March 10. People can come by the gallery and I will make a portrait for them (for a fee, of course). It was a hit in Paris last June. I would expect the same here, maybe even more people Oy! We'll see.

This is a gigantic logistical challenge. I'm going to rent a Volkswagon Van. I need to pack all of my artwork (huge space and very delicate items), Collodion equipment (dark-box, camera, lenses), chemistry and substrate, and luggage. And then we have to fit in it, too! I'm hoping this works! It's a four and a half hour drive to Paris. Have you ever driven in the city of Paris? Oy!

There will be more to follow... I promise.

Saturday
Nov282009

Summer's Last Year In Europe

When I Was A Kid...
I remember when I was in middle school hearing my English teacher talk about this quote, "Time waits for no man." Over thirty years later, I still think about what that means.Summer Jacobson - graduate, Mannheim High School - Mannheim, Germany The older I get, the more often that quote comes to my mind.

It's never been more true in my life than now. I can't believe that our daughter, Summer, will be going off to college in nine months! Where did the time go? I want to say, "Wait, wait, slow down! Let me enjoy this time and be present to everything that it has to offer!" But that quote creeps back in and reminds me that once it's gone, it's gone.

We are very proud of Summer. She's been the most wonderful child and will be an asset to world as an adult. She's smart, beautiful and extremely talented. As parents, Jean and I couldn't be more happy. We've been blessed!

What School?
She's chosen to attend my alma mater, Weber State University. I say that she's "chosen" this university loosely. It's the one we've been paying taxes to for years - so we get a break financially for tuition. However, Summer scored high enough on her tests that it looks like she's got a full ride - tuition, books, dorm, etc. for the entire four years! How wonderful is that? So the college fund we've set aside, and continue to contribute to, will now be hers to live on for the four years, allowing her to focus completely on her studies - no part time or full time job to distract her! Exactly what we wanted for her. On top of all of that, she has family there - that's very important to us, too.

Summer Jacobson What is she going to study?
Right now, she's planning on doing a bachelor of integrated studies degree (B.I.S.). This allows her to pick three majors to study - she's selected: English (Writing), Photography, and Psychology. I think these are excellent choices. She's a wonderful writer, a creative photographer and has infinite curiosity about human behavior and the twisted human mind. She'll do well in all of these areas.

These nine months will go by fast. I'll do my best to remember to enjoy every moment - remember, time waits for no man!

We love you Summer!!! Also, when we "Tweet" you, remember to reply as quickly as possible, we worry!

Monday
Nov092009

Making Collodion Negatives & Albumen Prints in Barcelona

I just finished a three-day marathon of making Collodion Negatives, Albumen, and Albumen paper. It was a lot of fun!8x10 Collodion Negative – 15 secs – Intensified with Copper and printed on Albumen/toned – Quinn Jacobson, Barcelona Spain November 7, 2009

People underestimate what it takes to make (Collodion) negatives. It’s not so much the actual making of the negative, it’s all the stuff that has to happen after the negative is made; (possible) intensification, making albumen, and albumen paper, sensitizing the paper, printing the image out, toning the image, fixing the image, washing the image, etc. etc. It’s a lot of work! 

We had several discussions over the last few days about why so few people make negatives/Albumen prints. My theory is that we live in a place and time where commitment to this kind of process isn’t valued, or rewarded (so much). Especially, when you can make gorgeous Collodion positive images (Ambrotypes, Tintypes, Alumitypes, etc.) in just few minutes that require a fraction of the work, equipment, supplies, and moreover commitment and patience. When you put those things together, you have very few people left that are willing to commit to the Collodion Negative and Albumen printing process.

Even the (unmatched) beauty of the Albumen print; with all of its tonal range and detail, can’t compel or persuade the masses like the positive process has. I predict that you will never see more than a few people working (not tinkering, but making serious work) in the Collodion Negative/Albumen Printing process. It’s too consuming and too difficult for all but a handful of people. And let me emphasize: Collodion Negatives and Albumen Prints – not Salt, not Centennial POP, not Collodion POP, Negatives and Albumen!

To all of those that participated in this workshop; thank you! To the Atelieretaguardia Studio; thank you! I had a wonderful time, and I look forward to seeing everyone again soon – maybe in Paris??? 

Wednesday
Nov042009

Über Wet Plate Collodion Images: Barcelona Spain

16" x 20" (40cm x 50cm) Clear Glass Ambrotype - Barcelona, SpainYou wouldn’t be exaggerating if you said that the fun never ends in Barcelona.

Not only is it a wonderful city to wander around in, you can also make über Wet Plate Collodion images here – if you know the right people: Atelieretaguardia Studio.  

Tuesday morning we set up and prepared make some ULF (Ultra or Über Large Format) clear glass positive Collodion images – 16” x 20” or 40cm x 50cm. It takes a lot of people, money and time to do this. It’s not small task. We had six people working together to produce some fine large Ambrotype portraits. The silver bath was 6 liters – that’s almost 600 Euros ($900 USD) alone! It takes special equipment, too. Large silver bath tank/holder, trays, bottles, everything must be big, including the camera and lens.

 

These were made with a German 16x20 camera. We used a 700mm f/8 Hermagis, stopped down to f/16. The first plate (watch the video below), was exposed for 20 seconds and it was spot on! On the other plates, we maxed out bellows and moved the camera as close to the sitter as possible. The images almost filled the plate. The images we made later in the morning, when the UV was blazing, had exposures as short as 10 seconds! All four images are beautiful in their own right and are very special to the entire Collodion team.

It’s extremely enjoyable making these plates. This is only my second time doing this, but this trip has inspired a new project for me when I return to the United States. Yes, you could say a project dealing with Über photographs – even super Über photographs.

 

Johanne from Norway.

Sunday
Nov012009

Barcelona Wet Plate Workshop 2009 Part 1

We wrapped up the first workshop here in Barcelona tonight. I can’t say enough about Atelieretaguardia Studio. They are wonderful people (Rebecca, Israel, Marti and Xavi) in a wonderful place. Thank you for inviting me again and hosting these events. What incredible memories for me! Johanne from Norway.

We had 9 people in the workshop; Mercedes (Spain), Marta (Spain), Rosell (Spain), Jana (Serbia), Bryan (Serbia/Ireland), Agnes (Spain), Ramon (Spain), David (Spain), and Johanne (Norway). Thank you! I’m honored to call you friends. You made some wonderful images over the last few days! And your varnishing techniques rival the “master’s”! Congratulations for a workshop well done! I look forward to seeing you all again!

It’s late, and I’m sitting here in our apartment, a short distance from the Mediterranean Sea. I’m listening to the people in El Raval live their lives. El Raval is a special place. It’s poor and it’s real, real as in authentic. We shop at the local stores, eat at the local cafes and enjoy being “among the people” – it’s very comfortable. Say what you will about El Raval, I love it, most wouldn’t.

El Raval is a neighborhood in the Ciutat Vella district of Barcelona, Spain. The neighborhood is also known as Barri xinés, meaning "Chinatown." El Raval is one of the two historical neighborhoods that border the Rambla (the other being the Barri Gòtic). The neighborhood is home to 200,000 people.


An area historically infamous for its nightlife and cabarets, as well as prostitution and crime, El Raval has changed significantly in recent years and, due to its central location, has become a minor attraction of Barcelona. It is currently the home to a very diverse immigrant community (50% of its population was born abroad), ranging from Pakistanis and Indonesians, to a more recent Eastern European community, especially from Romania. El Raval is also becoming one of the hippest up-and-coming neighborhoods of Barcelona where many artists live and work. It is home to many bars, restaurants, and night spots. (Wiki)

We have a few days now before the next workshop. We’re sleeping in tomorrow, and when we get up, we’ll wander around El Raval, drink some Cortados, watch the people, and enjoy being alive and being in this place.

(Photo above right: “Johanne From Norway” – Quinn Jacobson 8x10 Black Glass Ambrotype - demonstration)

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