Welcome To Wien (Vienna), Austria

Rolls Royce in Wien!We arrived in Wien last night. It was a longer drive than expected due to a 2 hour Stau in Germany. However, we survived.

We have a nice apartment right off of Simmeringer Hauptstasse. The S-Bahn and U-Bahn are close and we explored downtown Vienna a little bit tonight. I saw where Hilter was rejected from (Academy of Art) and made me wonder how the world may have been different had they let him in here - great novel/screenplay waiting to be written. 

The workshop went very well today. One more day (tomorrow) and we'll wrap it up. The participants are motivated and off to a grand start! There are four students; Fritz, Reinhard, Stefan and Zoltan. Three are Austrian and Zoltan is from Budapest, Hungary.

Hypo versus KCN!

Remember, here in Vienna, I'm less than an hour from Bratislava, Slovokia and about 2 hours from Budapest, Hungary. I would like to take a week off and just go!

These are images from the workshop today. Showing the difference between sodium thiosulfate fix and potassium cyanide fix - amazing!

 

A sampling of the workshop plates.
 

 

Reinhard Reidinger

Photokina 2008 - Cologne, Germany

Minox Girl at Photokina 2008, Cologne, Germany
I have mixed emotions about Photokina 2008. On one hand, it's interesting and kind of fun, and on the other hand, it's disgusting and nauseating. 

Overall, it's an exercise in greed, consumption, overindulgence, etc. all of things people say that I'm (and most Americans) an expert in. Seriously, it was disturbing to be there as the economy (Wall Street) in America was tanking, not to mention the ongoing suffering and hunger throughout the world. It's just hard to reconcile all of it looking at $5,000 (USD) cameras and $10,000 (USD) printers. Mostly, it was middle-aged men drooling over phalic toys they couldn't afford. C'mon, nothing is that important! Maybe I'm just getting old and soft (I can validate the "soft", it's true).

My main bitch is that it was €21 Euros to get into the place (that's $32 U.S. dollars today). Are we paying to get into a place to see what we want to buy? We're paying people to advertise to us!! Wow!! Wrap your head around that one!

My praises: There were some pretty interesting advancements in technology. The printers were unbelievable. All of them cranking out huge (8' x 12') color digital prints (if it's big, it's important)! They called it the "fine art printing section." The underwater cameras were pretty cool too. Not that I would ever need any of this stuff, but you know, it was kind of fun to see.

Billy Cargile, my new co-worker went with me. We didn't really want too stay long. We just wanted to hit some of the highlights and head back south. It was a 3.5 hour drive back because of traffic jam (Stau) just outside of Cologne. It's always fun to wrap a day of consumption around a 4 hour traffic jam. Yummy!

I suppose it was a good excuse to get out of the studio take a long drive and bum around Cologne again (it's a great city). As a side note, Cologne (Köln) is a very progressive and art centered city. I've been to a couple of art shows in Köln that I really enjoyed. The people are great too.

Back to Photokina... am I going to Photokina 2010.. ? No - been there done that and got the Minox ad to prove it.

Billy Cargile at Photokina - September, 2008

Evolving Theory About Art

I recently started reading, "Criticizing Photographs: An Introduction to Understanding Images" by Terry Barrett. It's an excellent book, I highly recommend reading it.  I've read it once or twice in the past, but it's one of those books that seem to change everytime you read it - you always find new and relevant insight.

Anyway, when I came across Allan Sekula's quote from "Dismantling Modernism" I was stunned. It was almost like I had thought that very thing but couldn't ever get it out (in written word). This quote sums up my theory about art and my purpose for making it. It's an evolution of understanding and it changes over time.

"Suppose we regard art as a mode of human communication, as a discourse anchored in concrete social relations, rather than a mystified, vaporous and ahistorical realm of purely affective expression and experience”.
Allan Sekula, “Dismantling Modernism” (1978)

Oh, and these are my new "Q" cards:

Quinn's new cards.

When The Concept Is Bigger Than The Craft

It seems that I've been waiting forever for my portable dark box to arrive (here in Germany). It was shipped on February 5, 2008 from Rochester, New York. You wouldn't think it would take a month, but then again one of the biggest and most annoying things about living here is the APO system and the expense of commercial post (like FedEx and DHL). It's outrageous on both ends.

Quinn's darkbox

In hindsight, it's actually been a very good thing. I've been able to gather my thoughts about my approach to working through my Kristallnacht project. At first, I thought I would approach it a stand alone, no interference, straight forward (almost documentary) project.  I simply wanted to photograph the locations I have pre-selected and making 8x10 Black Glass Ambrotypes (wet plate collodion images). That’s not going to happen and, moreover, I don’t want it to happen. You see, I realize that the concept of this project is bigger than the craft of this project. It other words, the idea is much stronger than the images I would or could make of former synagogue sites. It’s a strange problem to have. It’s usually the other way around for an artist; it’s all craft and no concept. Hit a random “fine art photo” site and you’ll see what I mean.

The Mainz Synagogue

Here's my solution: I'm goign to include my portraiture work, landscape work and object work all under the umbrella of the Kristallnacht project. I’ve decided that even though these objects, people or landscape scenes, weren’t (necessarily) here, they all share a common link to either the victims or the perpetrators both in idea and the physical world. And, after all, my message is about the questions surrounding Kristallnacht and ultimately, the Holocaust.

The Paris Foto Fair

Greetings & Salutations,

We just returned from a weekend in Paris. We drove over Friday (about 4.5 hours) and attended one of the largest photo fair/exhibits in Europe. We met up with a friend from Belgium named Carl. He introduced us to several other (alt) artist/photographers from Paris, Brussels and The Netherlands.


Saturday night we had dinner at Martin Becka's house in Paris (7 minutes from the heart of the city). Becka is a famous French Calotypist (he makes large negatives on paper and then contact prints them c.~1840s). He and his wife, Sophie, were very kind and generous. There were eight of us at his house. Everyone ate, drank, talked and shared/showed work. We didn't leave until after midnight - a truly wonderful Parisian lifestyle that I could embrace very easily.

Below: Jean and I in Bievres, France - Sunday, June 3, 2007.


Sunday morning we all met for coffee at a cafe in Bievres (suburb of Paris). After espresso (eXpresso if you are from Utah), we wandered the photo show for a few hours. We met up for breakfast at 0900 (Champagne, bread and a rice dish). Wandered the show again for a few hours and then met for lunch. After lunch, we said goodbye.

It was a fantastic time. I feel very, very blessed to be having these experiences. Who would have ever thought that I would get invited to share photographs, eat good food, drink good wine and talk art in Paris with a bunch of well-known artists?? Not me! It reminds me of that scene in "Wayne's World" where Garth is always saying, "I'm not worthy, I'm not worthy," when in the company of Heather Locklear *grin* (no, I don't idolize them, but it is a treat to share work, drink and food with them.. remember; I'M FROM UTAH!)

Below: The photo fair/show was loaded with 19th C. gear. I know where to go when I need another wet plate camera, lens, et al.



 


Above: This is the European Alt Photo/Artist gang.

They come from all over Europe to attend this show. This is an annual thing for them and now we are a part of it! Next Saturday, we are on way to Brussels. I had a mobile darkroom built (fits in the trunk of the Passat) and need to pick it up. We'll meet up with Carl (to the left of me in the photo) and Luc Saturday for lunch. I'm looking forward to some of that Belgium beer *grinning*

Oh, one more thing, driving in Paris is a real challenge - if you've never done it, you should give it a go sometime. It gives new meaning to "driving".

Below: When you are in Paris you have to get a Nutella Crepe! It's Parisian law!! They were so good!!!